They don’t take themselves too seriously but still astound the audience with their skill and sound. The music video revisits this consideration by contributing to dominant popular culture but also flippantly subverting the expectations for the form. However, they reject association by proclaiming “I don’t want to be part of the problem.” Again, Hen Ogledd situates themselves between an evident individual and collective binary. The track opens with Dawson lamenting “I live on a mountain / The only tall structure on this planet / The view is appalling.” The chorus then similarly considers the individual’s role as part of the collective’s tribulation. The lyrics are also reminiscent of the punk ethos contrasting aloofness and singularity against a society steeped in misery and wickedness. “First Date” and “Transport and Travel” are revisitations of the harmonious juxtaposed to the cacophonous ultimately cementing the overlap between human and machines.ĭue to the noticeably adamantine percussion and extenuated bass riffs, “ Problem Child” finds Hen Ogledd reexamining their punk roots. The mechanical production is a clear contrast to Bothwell’s soaring vocals especially when she serenely repeats the lyrics “I’ve been searching for you / I’ve been searching for you.” Her gossamer melody causes the vocal filtration to sound that much more cyborgian. Their consideration of this duality is epitomized by the vocal distortion on “ Sky Burial“. As a whole, Mogic is an exploration of the technology and humanistic dichotomy. Without surprise, “Love Time Feel” is the only track devising this type of unique soundscape. The track easily resembles a piece from John Cage’s repertoire. The folk vibe is thrust into modernity by the inclusion of background instrumentation generating noise as a supplement rather than a musical distraction. The duality exhibits the semblance of a plaintive folk song while eschewing the genre’s prognostic markers. The album opens with “Love Time Feel” demonstrating a melancholic oboe in dialogue with Dawson’s vocals.
Essentially, Hen Ogledd’s only calculability is their penchant for unpredictability. There is no way of anticipating what sounds or influences the outfit will undertake until they are launched. The joy rendered by Hen Ogledd is engendered by the album’s unpredictability. The quintet imbues Mogic with complicated music that is both beguiling and engaging. Led by Richard Dawson and Rhodri Davies, they enlist the talent of Dawn Bothwell and Sally Pilkington to create a rampageous sound.
An apt name for a band with equally wide-reaching and elastic musical influences. Hen Ogledd’s moniker is derived from the Welsh name for the British Old North, an expansive region encompassing several kingdoms. A study in lyrical dexterity and sonic imagination, the band revels in their ability to make lush soundscapes out of discord. Entwining experimentation with distinct musical acumen, the British group has released their third full-length LP Mogic. Guitar seems to be the most prevalent throughout your discography, but I was curious if you had any other favorite instruments? Are there any instruments you aren’t familiar with that you’d like to learn?Ĭould you see yourself performing in the U.S.Hen Ogledd has always shown a proclivity for embracing the avant-garde. I’ve played guitar for 15 years and I still don’t think I could craft riffs and melodies like yours. You seem to be a very talented multi-instrumentalist. Who are some of your favorite song writers? Are you heavily inspired by any specific writers? your lyrics almost seem conversational, but they’re still so poignant, thought-provoking, and poetic. Your writing style is also very unique to me. Noticed you listed a lot of jazz, electronic, and world music and I thought that was awesome-but I was curious if you had any favorite artists/major influences from the folk/avant folk genre specifically? Were you inspired at all by Comus? I saw your Baker’s Dozen on Quietus and thought it was super interesting (though not surprising) that you listed so many eclectic influences outside of the folk genre. I might just be ignorant but I don’t know many other artists in that same vein. Your music is so unique stylistically it’s like avant folk, neo-baroque, and lo-fi rock rolled into one.
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Anyways, I have a few questions for you! Feel free to answer as many or as few as you’d like. Nothing Important is one of my favorite songs of all time. A lot of the concepts you explore are so relatable. Thank you so much for gifting us with this music. Nothing Important, Peasant, and 2020 are all some of my favorite albums this decade. Hey Richard! First of all, I just wanted to say that you’re one of my all-time favorite artists.
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